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Great Falls Memorial Interchange

by Kye Alfred Hillig

/
1.
I was on my way to you I was almost there I could almost feel your breath as I climbed the stairs And as I reached the top I could almost see I was on my way to you when something intervened I was on my way to you You were in my reach Wild strands of your hair strewn across the beach I thought if I followed them I knew where they’d lead I was on my way to you when something intervened You think you know where you’re going? I thought I did too But then something happened on my way to you I wish I had got there It wouldn’t let me through Oh, sometimes it’s fate that turns and points at you I was on my way to you There was nothing else But a starving hunger there (it was all I felt) I don’t want to wake up Oh, please let me dream I was on my way to you when something intervened I was on my way to you Like a love-sick dog Your scent was all I knew come through the fog And then I felt the tug of my ending leash I was on my way to you when something intervened You think you know where you’re going? I thought I did too But then something happened on my way to you I wish I had got there It wouldn’t let me through Oh, sometimes it’s fate that turns and points at you
2.
A coal mining town- back when I was young Followed a trail of crumbs to get to know someone Like if I said my prayers I could raise belief But the castles’ flies just crushed beneath my feet And on Church Street you asked for the truth Well ok, I grew up and I grew out of you And I’m too tired to lend a hand Or raise a trumpet in your marching band But go on raise your baton again Drank the cooler clean- stumbled up the stairs Listening for a clue- it was never there And when the curtain fell it landed on me Not that you would have seen (No, not that you wold have seen) And on Church Street you asked for the truth Well ok, I grew up and I grew out of you And I’m too tired to lend a hand Or raise a trumpet in your marching band But go on raise your baton again And now your door unlocks for almost any key You put the birds in a cage- now all they do is scream You’re the decade’s ghost who’s only here- To shake a finger at love before you disappear And on Church Street you asked for the truth Well ok, I grew up and I grew out of you And I’m too tired to lend a hand Or raise a trumpet in your marching band But go on raise your baton again And in your room of mirrors I saw a million Me’s Oh! What a sad army (Oh, what a sad army) But they don’t throw parades for the way I think They just hang me high or they sit and blink And on Church Street you asked for the truth Well ok, I grew up and I grew out of you And I’m too tired to lend a hand Or raise a trumpet in your marching band But go on raise your baton again
3.
To Be Good 04:04
Just cause you’ve lied does that make you a liar for the rest of your days? Like it don’t matter what you say or do you’re incapable of the truth? Did you hurt someone? Did you break them down? Did you turn your back on a friend? Well, we’ve all done wrong Even if we hid it like it is gone Even if we’d never do it again Well, ‘to be good’ what does that mean? Can you explain it to me? Like this whole world can be just split in two Like there’s the others and then there’s you Like to be you is to be good Like to be good is to be you is to be good Just cause you’ve killed does that make you a killer like some badge you can’t erase? Like you should be strung up from the nearest tree Like you should never be free Did you steal from love? Did you make a mistake? Did you say something you can’t withdraw? Well, we’ve all been there Even if we acted like we didn’t care Even if we slept inside the mob Well, ‘to be good’ what does that mean? Can you explain it to me? Like this whole world can be just split in two Like there’s the others and then there’s you Like to be you is to be good Like to be good is to be you is to be good
4.
Throwing Up 03:21
And can you still believe in love? Even though it’s shown no God above you? Can you still find truth? And can you still feel me, dear? Even though you go out with other men? Can you still find me in them? And could you find the kindling in the cold? Did you use the loose letters from our college years? Oh, if you could only burn tears This Earth’s a crypt of a once beautiful song And I’m walking through it harmonizing with a voice that is gone They say, “chin up”, but I swallow it down But it ain’t enough…I just throw up And can you still walk the house? And settle down for dinner? Oh, is there someone there? Who sits in my chair? And did you see the head hung on the Wall? Does it gasp or laugh or do you pay it no mind? Dust it off sometime And did you bury deep in a strangers eyes the evidence of better times? Did it cover well or did it start to smell?
5.
Out in the darkness (we’re out in the darkness) where hands can reach no light Our holy bodies yearn crucified And who knew that only touching could break? You two twisted up in the wreckage of lust born new I was only waiting on you (I was only waiting on the face of death to grin too) Do you want her to drink you back to life? And if you please her the darkness needs her to cum for hell unwinds
6.
In Tandem 03:00
This old park bench that I’m sitting on Is so much lonelier since you’ve been gone And I’m saving a spot for somebody new And it’s a world built for two The telephone is a dusty machine ‘Cause someone has to call if it’s ever to ring And it’s a testament to an ugly truth And it’s a world built for two And in tandem it’s an easier ride Someone helps peddle when you’re tired of life It’s all up hill now and I can’t get home This world is much harder alone Making love and nobody is there I keep on dreaming back to some beautiful affair And it’s getting harder to imagine it’s you And it’s a world built for two Eating Dinner in a restaurant And I can’t digest the food I bought And a couple is feeding each other in the next booth And it’s a world built for two And in tandem it’s an easier ride Someone helps peddle when you’re tired of life It’s all up hill now and I can’t get home This world is much harder alone
7.
And if you can’t keep the lights on they say, “Work harder” And if you try and give your love away they say, “Don’t bother” But Heaven knows we’ve tried all of our lives to stand up tall Like a hammer to the soul we all know they’d rather see us crawl And if you ever start to cry they say that “You’re a victim” And if you try and liberate your mind they say that “You’re against (them)” But Heaven knows we’ve tried all of our lives to stand up tall Like a hammer to the soul we all know they’d rather see us crawl And I know as time goes That we stand on quicksand It gets harder to pick us up But how can we just give up?
8.
Turn off the car/ close up the door Ain’t it a crying shame the way you don’t love me anymore I reached for your face, but there was nothing there Come back with a fist full of rotten hair They’re tying my hands They’re tying my feet They’re tying me up so that we never can meet If this is making love then I wanna to have some sex Wanna talk to the girl in the wedding dress This heart of mine, it refuses to die But oh Marie Goddamn these things I love you more than he Sixteen years old, my body and soul My heart wanted more than my life could afford If I’m not home by dusk I found love out in the night Lock up the door/ Turn out the light It’s a Chinese bar It’s a darkened booth It’s a man I used to know waiting like a fool He goes to take a drink, and spills beer on his clothes So hard to say where the loving goes
9.
I will always love you, Whitney Houston Your song was dedicated to me by my middle school girlfriend And I don’t think that she followed through, but it was a virgin world Your voice rang true to me, old girl You went to the bathtub like a grave And your poor daughter did the same It’s not that I knew you, but I always thought you would stay I sure hope your family’s ok And what a gift is to sing and make people change, But we all need a bodyguard to lift us up and carry us away The dark glasses you hid behind Whether it was Winter or Summertime And people always questioned your sexuality, But, Whitney, it never mattered much to me And I’ll be sitting in some bar Talking sarcastic, the way that people are And your song comes on and my heart begins to change And all of the sudden I’m back in seventh grade
10.
What’s going on here? Things have been so strange It’s like it’s raining from the sky It’s like it came in through the drains We were long gone, left behind the pain We turned around and right back in it came Weren’t we quiet? I swear we didn’t make a sound Did we summon evil? Did we build a house on an ancient burial ground? What’s going on here? Is there no where we can hide? It’s like it lives inside our blood It’s like it snuck up from behind To cut us ear to ear, a smile of its own kind We opened up the door What did we expect to find? I don’t wanna be strangers Why are they pushing us around? Did we summon evil? Did we build a house on an ancient burial ground?
11.
I’m sure you have a pair of angel wings And a designer purse to carry all your things I’m sure your hand could hold a heart And I’m positive it could please me as we start But I’m just not ready for love I’ve got a million parasites to drink my blood I’ve got pages in my diary that I need to fill up ‘Cause I’m just not ready for love All of your words are deep and full of wit As you talk about the places you’d love to live All of your poems and chasing dreams A gorgeous smile and the body of a queen But I’m just not ready for love So let’s hold off on moving in your stuff I might try to please you and only fuck you up ‘Cause I’m just not ready for love Someday I’ll be ready for love And you’ll be the first one I’m thinking of Darling, I know you love me, but please shut up ‘Cause I’m just not ready for love
12.
Drinking all night Man, you can’t even remember when you got home The bathroom mirror shattered when the opera singer sang You kiss like a butcher (that’s not a complaint) You’ve got a claw for a hand and a sensitive way I’ve been building a burning home ‘Cause you’re sixteen and then you’re forty-two You’ve got a family now and they look after you Somehow you learn to turn the page You’ve got a cast to sign and a heart to pursue You keep the carpets clean inside the waiting room Oh, the sick and thickened mange… It finds a way Sat on the 6-speed too broke to go home Blacker than water I drank and I drove, Yet somehow the flowers grow Oh, I’ve got a big hand I break a big piece Just ‘cause I call your name don’t mean you’re coming with me But it’s “fortune that favors the bold” ‘Cause you’re sixteen and then you’re forty-two You’ve got a family now and they look after you Somehow you learn to turn the page You’ve got a cast to sign and a heart to pursue You keep the carpets clean inside the waiting room Oh, the sick and thickened mange… It finds a way

about

This album is dedicated in loving memory of Mike Buker.

The Band is…
Kye Alfred Hillig: Vocals, Acoustic Guitar, Electric Guitar (Big Sleeping Nowhere)
David Bilbrey: Electric Guitar
Bill Nordwall: NORD
Yos-wa: Bass
Jasen Samford: Drums, Mandolin
Steve Norman: Pedal Steel
Jason Lackie: Harmonica

Recorded by Chris Mathews Jr. over four days at Big Sound Studios in Seattle, Washington (December 2015). Mixed by Chris Mathews Jr at his home in Seattle, Washington (December 2015-January 2016).

Mastered by Rachel Field at RFI in Seattle, Washington (January 2016).

All songs written by Kye Alfred Hillig

Album design by Barry Blankenship

Cover photo by Kye Alfred Hillig

credits

released February 26, 2016

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Kye Alfred Hillig Tacoma, Washington

Lost his family in a house fire, but saved his guitar. Plays songs his family’s never heard. (Tacoma, WA Singer-Songwriter)

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